| Don't Tell My Mother | |
|---|---|
| Genre | Travel |
| Format | Documentary |
| Presented by | Diego Buñuel |
| Production | |
| Producer(s) | Diego Buñuel |
| Broadcast | |
| Original channel | National Geographic Adventure |
| External links | |
| Website | |
Don't Tell My Mother is a television programme hosted by Diego Buñuel and shown on the subscription television channel Nat Geo Adventure.
For the past ten years Diego Buñuel has been a foreign correspondent for French Television covering all kinds of countries like Iraq, Afghanistan, or the Congo. Every time he left for one of his stories, he would tell his production crew in the Paris office, "Don't tell my mother I am in Colombia, it makes her really nervous." After a few years of traveling repeatedly, Diego realized that the international news coverage, of which he was part of, only focused on the worst headlines possible. So Diego embarked on a rather unusual effort; to talk about countries that make headlines, but instead of focusing on the same three basic stories, he extended the reach of his eye to look at a more subtle vision of these countries, full of culture, people, interests that rise high above the daily news reports. [1]
Don't Tell My Mother criss-crosses the globe as Diego stops in burgeoning mega-cities – some plagued by the overwhelming demands that come along with housing millions of residents. But all these cities are riding high on the hopes of newcomers arriving daily in search of opportunity. Whether he is spending the night in one of the most dangerous parts of São Paulo with a group of graffiti artists inspiring radical social change, dressing in drag in Dhaka or drag racing through Johannesburg, Diego reveals the heart and soul of these diverse metropolises. [2]
Diego, on the show, comments: Travelling is my passion - I'm fascinated by the remarkable stories every country has to offer. It was this desire that led me to travel the world - to Pakistan, Venezuela, Iraq and more - looking for stories and meeting fascinating people along the way. It was a great trip, sometimes travelling to dangerous places, which is why I never told my mother where I was when travelling - check out my video, photos and blogs from the trip here, but do me a favour - Don't Tell My Mother.[3]
Contents |
Start-phrase- Don't tell my mother that I'm in Colombia. Known for drug-trafficking, kidnapping and guns, Colombia has a well-earned reputation for danger. Diego gets his first taste of this treacherous lifestyle after meeting a tailor who specializes in bullet-proof clothing - everything from bullet-proof underwear to suits. In a country that produces 80 percent of the world's cocaine, Diego goes on patrol with the farmers tasked with destroying cocaine plants one-by-one in the mine-littered fields of guerrilla country. Travelling to Medellin, Diego visits the abandoned home of drug lord Pablo Escobar, where he tours Pablo's dinosaur park full of towering dinosaur statues, and visits Pablo's pet hippos. Diego also meets one of Pablo's former hired gunmen who now teaches the children of his fallen friends. On Dead Man's Road, Diego heads to Cali, where travelling at the wrong time of day can get you kidnapped. Kidnapping is so prevalent, one radio station has developed the 'Hostage Voices' programme so relatives can send messages to hostages over the radio. Despite the rampant civil war dividing the country, Colombia has made steps forward - in Picalena Prison, one warden has helped unite right-wing paramilitaries with left-wing guerrillas through an unlikely tactic: soccer.
Start-phrase- Don't tell my mother that I'm in Afghanistan. In a new series of documentaries, Don't Tell My Mother intends to show what life is really like in a war zone. In this episode about the current war in Afghanistan, the viewer will hear new stories from a country where death, destruction and mayhem has at times reigned supreme. Every day, millions of people in Afghanistan keep on living, laughing and struggling to make their country, their city, their future a better place. These are the people who have attracted the attention of Diego Buñuel, an American reporter well known in France for his work as a foreign correspondent in Iraq, Afghanistan, the Congo and other hot spots around the globe. In Don't Tell My Mother... That I am In Afghanistan , Buñuel takes a 52-minute road trip from the capital Kabul to Taliban hotbed Kandahar, stopping by Mazar-e-Sharif and Herat. From the Kabul golf course, to a female Army helicopter pilot, from an interview with Mullah Omar's look-alike who spent two years in hiding, to the first night-club open to Afghanis, Diego leads us head on into fascinating and unusual stories about a country that many have tried to boil down to burkas, bearded fighters and poppy harvests. But don't tell his mother he's traveling in Afghanistan!
Start-phrase- Don't tell my mother that I'm in Congo. This time, American reporter Diego Bunuel travels around the Democratic Republic of Congo, a place ridden with gang violence and political instability.
Diego Bunuel travelled to Pakistan to break some of the stereotypes that have plagued this country. Roaming from Karachi, Hyderabad, Lahore, Islamabad and to end finally in the Pakistani Himalayas. Diego's journey turns out to be a real eye opener. This episode has nothing to do with another trip through Pakistan carrying the same title as Don't Tell My Mother. It's a local production that has nothing to do with the series.
Start-phrase- Don't tell my mother that I'm in North Korea. Forced to leave behind his cell phone, GPS and even newspapers before entering the country, Diego Buñuel must pose as an actor to enter North Korea. Every move he makes is constantly monitored, with two watchers 'escorting' him wherever he goes. Starting in the capital of Pyongyang, Diego is housed in a hotel built on an island to keep visitors from interacting with locals, and where all the rooms are bugged. Attending a Catholic mass in Pyongyang, Diego finds that there are no ordained priests in North Korea; mass is led by party members. Diego also tours a fairground where children have the chance to 'Kill American Imperialism' in a shooting game. Venturing to the world's largest stadium, Diego watches 100,000 dancers perform in celebration of 60 years of dictatorship. While this festivity paints an image of happiness and unity, the portrait is not quite as picturesque in the countryside. The effects of poverty, famine and oppression are deeply etched in the faces of its people and the landscape. Even in Pyongyang, the signs of repression are omnipresent - from the number of dances allowed to be performed (only 5-7 according to one party member) to the images of Kim Jung Il found in every corner.
Start-phrase- Don't tell my mother that I'm in the Holy Land. After five wars and two Intifadas, the morning papers are still filled with stories about another shooting, air strike, rocket or suicide attack. And it's been going on like this for sixty years! Despite it all, our eternal optimist Diego Buñuel takes us on a behind-the-scenes journey through yet another region with a particularly bad reputation. We go from the Gaza Strip to Jerusalem, with stops in the occupied territories. We meet a lively cast of characters, including: a printer of the Martyrs of Gaza; Nadim, a Christian brewer in Ramallah; Lucy, who rescues Palestinian donkeys and tries to rehabilitate them; and rappers at a Gazan bachelor party. Don't Tell My Mother.... the people of the Holy Land like you've never seen them before.
Start-phrase- Don't tell my mother that I'm in Venezuela. Oil and socialism are big exports in Venezuela, and Diego Buñuel steps into the heart of both in the capital city of Caracas. Diego stumbles across a socialist protest where tense relations with the U.S. over politics and oil are top of mind for participants. But while government-enforced low costs have made gas unbelievably cheap for Venezuelans - just a few cents per litre - regulations have caused massive food shortages. Diego sneaks over the Colombian border to investigate illegal gas smuggling. In the countryside of San Felipe, agrarian reform is putting land back into the hands of the people with former sugar cane workers kicking out their former bosses. With a machete and some VHS film tape, workers mark off their land, waiting for it to be recognised by the local mayor's office. High in the Venezuelan Andes, Diego follows two volunteers who bring a mobile library by mule to help families attending school in the mountains. In the Caracas slum of Antimano, Diego plays pick-up basketball, and visits an area where school is held in the streets.
Start-phrase- Don't tell my mother that I'm in Iraq. Flanked by bodyguards, host Diego Buñuel must alter his interview routine after entering an occupied country at war where multiple searches and evening curfews are routine. In Baghdad's Christian quarter, Diego visits the booming Iraqi stock market where white boards follow the U.S. $5 million in traded stocks. Diego finds the stock market is not the only business in Iraq that is thriving - gyms are seeing a significant increase in memberships as men flock to gain muscle in hopes of getting a well-paying job in security. At a heavy metal concert, Diego meets some rebellious Iraqi men whose love for death metal, long hair and shaggy beards can put them at odds with more conservative Iraqis. Diego witnesses a 1,300-year-old burial ritual at one of the world's largest necropolises with millions of people buried in Najaf, and also visits a torture museum in Sulaymaniyah to remember atrocities committed against Iraqi Kurds.
Start-phrase- Don't tell my mother that I'm in Iran. While one may not necessarily associate Iran with hip-hop, host Diego Buñuel checks out an underground rap show in Tehran, featuring a performance by a local mullah's son. With a huge following and representatives from more than 30 countries, Diego attends the Olympics of Koran reading where participants memorise and recite entire chapters of the Koran from heart. Meeting with a Jewish antiques dealer in Tehran, Diego shares alcohol made from grapes before visiting one of the city's synagogues and heading over to the Iranian parliament with one of its Jewish members. In Esfahan, Diego takes in a local basketball game and hits the town afterwards with an American player finding stardom in Iran. At Tehran's Museum of Contemporary Art, Diego examines works of Picasso, Jackson Pollack, Andy Warhol, Monet and more - all of which have remained in basement storage since 1979. At the Caspian Sea, Diego hitches a ride with police who monitor the waterways for caviar poachers.
Start-phrase- Don't tell my mother that I'm in the Balkans. Years after serving as a French soldier in Bosnia, host Diego Buñuel returns to the Balkans, where tensions still sizzle just below the surface and the slightest misstep can re-open old wounds. Diego's 3,200-kilometre road trip across Croatia, Bosnia, Serbia and Kosovo unearths an area recovering from the ravages of war. In Srebrenica, Diego meets a Bosnian Muslim woman in charge of the uncovering mass graves of more than 8,000 Muslim men and boys massacred days after declaring independence from Serbia. Diego visits a farm in Tuzla where black gold bubbles out of the ground. In Serbia, Diego takes a guided tour of hangouts where alleged war criminal Radovan Karadzic went incognito before visiting one nostalgic Serb who has recreated Yugoslavia in his own backyard - even presenting Diego with his own Yugoslav "passport". Finally, to enter Kosovo, Diego must remove his car's license plate in order to safely enter the country to meet with the man responsible for the newly-formed country's national anthem and a football team with dreams of playing against other nations. [4]
Start-phrase- Don't tell my mother that I'm in Johannesburg. Johannesburg's risen to become the thriving economic hub of the continent.Get ready to see a surprising side of Johannesburg that you never imagined.
Start-phrase- Don't tell my mother that I'm in Tokyo. Tokyo is by far the biggest city on the planet. Diego explores where past and present collide, the line between reality and science fiction is thin.
Start-phrase- Don't tell my mother that I'm in Lagos. Diego crisscrosses Lagos to find out why lots of newcomers arriving the city every day despite its problems of traffic jam, poverty and pollution.
Start-phrase- Don't tell my mother that I'm in Delhi. Diego travels to Delhi to experience firsthand its explosive modern economy which has attracted a massive migration in the last 20 years.
Start-phrase- Don't tell my mother that I'm in Mexico City. Diego Bunuel dives into the sewers and runs from canine immigration agents to discover just how creative the residents of Ciudad Mexico really are.
Start-phrase- Don't tell my mother that I'm in São Paulo. Diego mingles with graffiti artists and dodges bullets to search for a common thread that unites the extremes of rich and poor in São Paulo.
Start-phrase- Don't tell my mother that I'm in Beirut. Diego travels from the sun kissed seaside to the snow capped mountains, meeting some surprising black market dealers in Beirut. as well as the Gay community preparing the first commercial AD promoting the gay tourism to Beirut
Start-phrase- Don't tell my mother that I'm in Cairo. Under the glow of the golden sun, Cairo stretches as far as the eye can see. Diego Bunuel explores ancient and modern elements of the Cairo.
Start-phrase- Don't tell my mother that I'm in Dhaka. Diego begins his adventure in an area of Dhaka where the term urban jungle is given new meaning. In this area, Macaque monkeys have taken control.
Start-phrase- Don't tell my mother that I'm in Manila. Manila faces some of the world's worst urban problems but Diego quickly finds out there is an energetic and quirky side to city and its people.